The conversation must be inspired by ONE of the following statements: “Thats the problem with history, we like to think its a bookthat we can turn the page and move the f**k on. But history isnt the paper its printed on. Its memory, and memory is time, emotions, and song.
People eat the s**t you shovel them.
Love looks not with the eye, but with the mind therefore is wingd Cupid painted blind. It is important to FOLLOW EACH OF THESE GUIDELINES:
Technical requirements:
Choose your characters carefully! Be sure to follow all instructions.
Use a playscript format character names followed by speeches rather than prose narrative style. There is no need for detailed description of the setting or action; focus on dialogue and the characters voices.
Each character must, at some point in the dialogue, make at last two direct quotes from each of the three major works (listed above); the quotes must be carefully contextualized so that they make logical sense. Your characters quotes dont have to be from their own work.
Your conversation should be pretty well balanced among the three characters. It should run about 1,500-2,000 words, (not including the character names at the beginning of each speech). Stylistic requirements:
Your characters must make meaningful reference occasionally to the imaginative world in which they live(d), but (VERY IMPORTANT) should NOT spend any significant time merely recounting/summarizing the events of their stories, or explaining their own actions. In other words, do NOT have your characters merely narrate/recap their own stories, or gossip about one another. Of course, they might refer briefly to events or people from the readings, but the bulk of the conversation should focus on their reactions, in character, to the statement at hand.
Think carefully about your chosen statement. It can be interpreted differently in different contexts, so the characters should make it very clear at some point in the dialogue how each interprets the statement uniquely.
This dialogue should, to the best of your ability, include comic and satiric strategies that are logically consistent with the characters youve chosen.
Be as funny as you can, but please also strive for reasonably good taste. If the characters must say offensive things, make sure theres a logical reason for doing so.
Hint: some form of disagreement will probably bear the most conversational fruit.
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