One of the basic tenets of neo-noir film comes from post-Nietzschean existentialist thought, and that is, that there is no such thing as absolute truth: “truth” is subjectively determined by each individual person, and no one person’s “truth” is greater than any one else’s. Nietzsche and the existentialist thinkers also maintained that we accomplish our goals or objectives by having a “will to power” to achieve these goals, much like “The Bride” in Kill Bill made her big toe wiggle, even after having been in a coma for four years, or, like Leonard Shelby in Memento, we make up our own “truths” — even when we have to lie to make ourselves happy — or like Tom Ripley in The Talented Mr. Ripley, we just take what we want by whatever means possible, and hope for the best outcome, like inheriting Dickie Greenleaf’s wealth when we least expect it! The question is do any of these ways of determining, discovering, or creating our own truth/reality enable us to live more fulfilling or satisfying lives — in the end?
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